Ceramic Dog are:
Marc Ribot -guitar (Tom Waits, Lounge Lizards, Elvis Costello,etc)
Shahzad Ismaily-bass (Secret Chiefs 3, Will Oldham, Ben Frost)
Ches Smith-drums (Xiu Xiu, Secret Chiefs 3, Trevor Dunn’s Trio Convulsant)
Look out for band’s much awaited third album and first in five years to be released in April 2018:
“I got a right to say FUCK YOU!!!” is how the new album from veteran guitarist Marc Ribot’s trio Ceramic Dog starts off, with Ribot howling in anger at corruption, tyranny, life in general, and nothing in particular. Ribot certainly isn’t the only one piling-on, but if you’ve got a serious case of outrage fatigue, Ceramic Dog’s explosive cocktail of balls-to-the-wall abandon, chameleonic disregard for style constraints, political commentary, and absurdist humor is just the shot in the ass you might need. In fact, Ceramic Dog’s new album — titled YRU Still Here?— directed in equal parts at themselves, the commander in chief, and the listening public — arrives just in time to remind us that now is a moment when anger is not only necessary, and unavoidable, but also good for house plants . Thanks in no small part to the fire, brimstone, and dextrous facility summoned by kindred spirits Shahzad Ismaily (Secret Chiefs 3, Will Oldham, Ben Frost) on bass and drummer Ches Smith (Xiu Xiu, Secret Chiefs 3, Trevor Dunn’s Trio Convulsant), YRU Still Here? comes to the table armed with more than just sloganeering rhetoric. By way of stylistic explanation, Ribot comments: “Yes, we too are subject to the post-modern condition, but we see it as a kind of psoriasis.” Alongside his monumental career forging his peerless guitar style with the likes of Tom Waits, John Zorn, the Lounge Lizards, etc, Ribot has also worked for decades as a tenant union and artist rights activist, where he mastered the agit-prop skills used to such dazzling effect on hits such as “Fuck La Migra” and “Muslim/Jewish Resistance”. As much as it is a rallying cry, though, YRU Still Here? also further consecrates Ribot’s bond with Ismaily and Smith, referring to them as his “musical conscience” and to the band as a “family…although not always in a good way”. “After all the playing I’ve done,” Ribot explains, “there’s just something about this group that still manages to shock me.”
